Inversion Prototype:0033
The work, initiates a self- sustaining system where the artists blood circulates as a metaphor for its power source. By extracting and externalising the blood form the artists body it becomes a post materialistic expression, a mirror towards the own body, the self through the machine.
Object dimensions: 187*163*134cm
Material: 304 stainless steel; 316 stainless steel; acrylic; metallic plated resin;aseptic blood; Anticoagulant; Carmine; Glycerin; Relay; Olenoid Valve; Terminal; Pump; Rubber tube
Technical support: WEYEZ Tech.co
Aseptic processing: ZZPR Biotechnology.co
Mechanical Engineering:
Xiaowu Jiang @jiang_xiaowu
Qi Qi @qiqi77malz
Artist & curation assistant: Hailun Zhang @arya_helen_hailun
Photographer: Yili Liu @ichiyi000
The pieces of work showcased in the exhibition, act as a portrayal of the uncertainty and the ambiguity the artist has been set upon during the past six months. Her process related to the obtaining of a visa, has resulted in her reconsideration of her position within various systems, of which not only form her every day life but she is forced to live on. The sense of displacement through these systems has led to a reflection on her status as an outsider across cultures and even virtual versus tangible dimensions.
She intertwines with the machine, the closed and open systems, the "Metaversic" body and the blood.
In her own words " This act of peeling away part of myself transitions from a biological circulation system, to becoming the central element of the water circulation system being capable of reproducing and maintaing themselves within the piece."
Evolving global regulations and policies adapt to emerging cultures and boundaries.
This perpetual flux of human movement (international students and immigrants) in current decade and adherence to societal norms and the creation of new rules conforms its very foundation.
This piece asserts that individuals, constitute the system itself as if we are the original parts of the system. Liquidity Identity as flows, circulations, water drops of the sea, units of modular architectures.
The work ultimately comments on the cyclical nature of integration and exclusion within constantly shifting cultural and political landscapes.
The work, initiates a self- sustaining system where the artists blood circulates as a metaphor for its power source. By extracting and externalising the blood form the artists body it becomes a post materialistic expression, a mirror towards the own body, the self through the machine.
Object dimensions: 187*163*134cm
Material: 304 stainless steel; 316 stainless steel; acrylic; metallic plated resin;aseptic blood; Anticoagulant; Carmine; Glycerin; Relay; Olenoid Valve; Terminal; Pump; Rubber tube
Technical support: WEYEZ Tech.co
Aseptic processing: ZZPR Biotechnology.co
Mechanical Engineering:
Xiaowu Jiang @jiang_xiaowu
Qi Qi @qiqi77malz
Artist & curation assistant: Hailun Zhang @arya_helen_hailun
Photographer: Yili Liu @ichiyi000
The pieces of work showcased in the exhibition, act as a portrayal of the uncertainty and the ambiguity the artist has been set upon during the past six months. Her process related to the obtaining of a visa, has resulted in her reconsideration of her position within various systems, of which not only form her every day life but she is forced to live on. The sense of displacement through these systems has led to a reflection on her status as an outsider across cultures and even virtual versus tangible dimensions.
She intertwines with the machine, the closed and open systems, the "Metaversic" body and the blood.
In her own words " This act of peeling away part of myself transitions from a biological circulation system, to becoming the central element of the water circulation system being capable of reproducing and maintaing themselves within the piece."
Evolving global regulations and policies adapt to emerging cultures and boundaries.
This perpetual flux of human movement (international students and immigrants) in current decade and adherence to societal norms and the creation of new rules conforms its very foundation.
This piece asserts that individuals, constitute the system itself as if we are the original parts of the system. Liquidity Identity as flows, circulations, water drops of the sea, units of modular architectures.
The work ultimately comments on the cyclical nature of integration and exclusion within constantly shifting cultural and political landscapes.