Inversion Prototype：0033 Explained
 

The work, initiates a self- sustaining system where the artists blood circulates as a metaphor for its power source. By extracting and externalising the blood form the artists body it becomes a post materialistic expression, a mirror towards the own body, the self through the machine.

Object dimensions: 187*163*134cm

Material： 304 stainless steel; 316 stainless steel; acrylic; metallic plated resin;aseptic blood; Anticoagulant; Carmine; Glycerin; Relay; Olenoid Valve; Terminal; Pump; Rubber tube

Technical support: WEYEZ Tech.co
Aseptic processing: ZZPR Biotechnology.co
Mechanical Engineering:
Xiaowu Jiang @jiang_xiaowu
Qi Qi @qiqi77malz
Cinematographer：John Lucy @jklucy_design
Sound1: FITNESSS @flt.n3sss
BGM/Edit/Post Process: 00 Zhang
Assistant: Hailun Zhang @arya_helen_hailun

This piece asserts that individuals constitute the system itself, as if we are the original parts of the system. By extracting and externalising the blood form my body it becomes a post materialistic expression.

liquidity Identity as flows, circulations, challenging centralized standard. This perspective stems from my own experience: 10 years of living in UK. In my opinion,everyone is fluid, boundaries are not rigid: borders, identities, genders and religions.

I aiming to create a city-like feel within a single sculpture: different parts will have interspersed flowing blood, reflecting the movement of population between different countries and cities. But ultimately, we are one community.

The impact of war is beyond batttlefield: whether through inflation, shortages of essential goods, or rising price of gas and electricity. Many online friends we have never met facing the same harsh reality; we dont want war.

Embracing the beauty in imperfections, I find healing through my art, that i want to share: my work opens to everyone.


The pieces of work showcased in the exhibition, act as a portrayal of the uncertainty and the ambiguity the artist has been set upon during the past six months. Her process related to the obtaining of a visa, has resulted in her reconsideration of her position within various systems, of which not only form her every day life but she is forced to live on. The sense of displacement through these systems has led to a reflection on her status as an outsider across cultures and even virtual versus tangible dimensions.

She intertwines with the machine, the closed and open systems, the "Metaversic" body and the blood.

In her own words " This act of peeling away part of myself transitions from a biological circulation system, to becoming the central element of the water circulation system being capable of reproducing and maintaing themselves within the piece."

Evolving global regulations and policies adapt to emerging cultures and boundaries.

This perpetual flux of human movement (international students and immigrants) in current decade and adherence to societal norms and the creation of new rules conforms its very foundation.

This piece asserts that individuals, constitute the system itself as if we are the original parts of the system. Liquidity Identity as flows, circulations, water drops of the sea, units of modular architectures.

The work ultimately comments on the cyclical nature of integration and exclusion within constantly shifting cultural and political landscapes.