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	<title>aio0o0o0</title>
	<link>https://00zhang.com</link>
	<description>aio0o0o0</description>
	<pubDate>Sat, 11 Jan 2025 17:47:53 +0000</pubDate>
	<generator>https://00zhang.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://00zhang.com/Home-1</link>

		<pubDate>Tue, 27 Jun 2023 21:31:32 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

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	&#60;img width="1920" height="500" width_o="1920" height_o="500" data-src="https://freight.cargo.site/t/original/i/76f3c93101c5ae8afa0e72986d672b6790d07128ca9c8b5d946a1e6ff4ca1651/00zhang.png" data-mid="183486526" border="0"  src="https://freight.cargo.site/w/1000/i/76f3c93101c5ae8afa0e72986d672b6790d07128ca9c8b5d946a1e6ff4ca1651/00zhang.png" /&#62;
	
&#38;nbsp;


	

CV


	

List of works


	

News


	

Contact


	

Story Mode




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	</item>
		
		
	<item>
		<title>List of works</title>
				
		<link>https://00zhang.com/List-of-works-2</link>

		<pubDate>Thu, 17 Nov 2022 01:52:30 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/List-of-works-2</guid>

		<description>&#38;nbsp;
&#38;nbsp;List of works

	




	Work List
	Story Mode



	Prototype Series



2024&#38;nbsp; &#38;nbsp;

Inversion Prototype：0033DLC-2024.1



2024&#38;nbsp; &#38;nbsp;

Inversion Prototype：0033 Explained





2024&#38;nbsp; &#38;nbsp;

Inversion Prototype：0033







2023&#38;nbsp; &#38;nbsp; Prototype 0030 Iteration






2023&#38;nbsp; &#38;nbsp; 

Prototype0029 Apparatus





2023&#38;nbsp; &#38;nbsp; 

Prototype0028 Embyro






2022&#38;nbsp; &#38;nbsp; 

Prototype0026 The Mother






2022&#38;nbsp; &#38;nbsp; 

Prototype0023 RAM-(RADOM ACESS MEMORY)






2022&#38;nbsp; &#38;nbsp; 

Prototype0022 (beta)

2022&#38;nbsp; &#38;nbsp; 

Prototype0022






2021&#38;nbsp; &#38;nbsp; 

Prototype0021 PC

2021&#38;nbsp; &#38;nbsp; 

Prototype0021 MR (Mix Reality)





2021&#38;nbsp; &#38;nbsp; 

Prototype0020 Blessed blade of Chi






2020&#38;nbsp; &#38;nbsp; 

Prototype0019 Gen (NFT on Opensea)




2020&#38;nbsp; &#38;nbsp; 

Prototype0016 Angelos






2020 &#38;nbsp;&#38;nbsp; 
Prototype0014 part i + part ii




2020 &#38;nbsp;&#38;nbsp; 
Prototype0012 Mechanical Angel






&#38;nbsp; &#38;nbsp; 


Games 2023&#38;nbsp; &#38;nbsp; The Overture of Prototype Series2022&#38;nbsp; &#38;nbsp; Prototype0023 RAM-(RADOM ACESS MEMORY)2021&#38;nbsp; &#38;nbsp; &#38;nbsp;Post 2020 Experiment
Solo Show
2023&#38;nbsp; &#38;nbsp; Invite:00 Zhang, Zabludowicz Collection
2022 &#38;nbsp;&#38;nbsp; Shattered Heliocentric Orbit,&#38;nbsp;

Broadway Gallery


0: WorldingEphemeral Summers’ Diary

Chapter 1: Shattered Heliocentric Orbit, December 2020
Chapter 2:There are Men Who Loved the Memory Like a Mistress, September 2018 





Chapter 3: 

Concealed Seduction, March 2019 





Chapter 4: 

 Effervescent Under the Daylight, October 2018









	

Level 1 : The One
(Linear narrative)

Level 2: The
ZoneLevel 3: The
Centre Console














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	</item>
		
		
	<item>
		<title>Chapter 2</title>
				
		<link>https://00zhang.com/Chapter-2</link>

		<pubDate>Thu, 17 Nov 2022 22:25:44 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Chapter-2</guid>

		<description>&#60;img width="888" height="888" width_o="888" height_o="888" data-src="https://freight.cargo.site/t/original/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" data-mid="159420907" border="0" data-scale="26" src="https://freight.cargo.site/w/888/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" /&#62;

0: Worlding


Chapter2 There are Men Who Loved Memory Like a Mistress

22:46 PM London September 2018














 </description>
		
	</item>
		
		
	<item>
		<title>Chapter 3</title>
				
		<link>https://00zhang.com/Chapter-3</link>

		<pubDate>Thu, 17 Nov 2022 22:34:31 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Chapter-3</guid>

		<description>&#60;img width="888" height="888" width_o="888" height_o="888" data-src="https://freight.cargo.site/t/original/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" data-mid="159421464" border="0" data-scale="26" src="https://freight.cargo.site/w/888/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" /&#62;

0: Worlding


Chapter3&#38;nbsp;

Concealed Seduction


16:22 PM London March 2019










</description>
		
	</item>
		
		
	<item>
		<title>Chapter4</title>
				
		<link>https://00zhang.com/Chapter4</link>

		<pubDate>Thu, 17 Nov 2022 22:44:43 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Chapter4</guid>

		<description>&#60;img width="888" height="888" width_o="888" height_o="888" data-src="https://freight.cargo.site/t/original/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" data-mid="159422226" border="0" data-scale="26" src="https://freight.cargo.site/w/888/i/32ee50d6682c7a5401d74a13109f148c4a30a43950c4973cc302d2d7dd38537b/Candlelight.png" /&#62;

0: Worlding


Chapter4&#38;nbsp; &#38;nbsp;

Effervescent Under the Daylight






06:56 AM London October 2019












</description>
		
	</item>
		
		
	<item>
		<title>Bibliography</title>
				
		<link>https://00zhang.com/Bibliography</link>

		<pubDate>Thu, 17 Nov 2022 22:59:49 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Bibliography</guid>

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0: Worlding




Bibliography
















Bates, J., 2014. Hegel and the Concept of Extinction. Philosophy Compass, [online] 9(4), pp.238-252. 
Available at: [Accessed 31 December 2020].
Baudelaire, C., 1863. Mordernity. [online] p.42. Available at: 
[Accessed 31 December 2020].
BBC News. 2019. AI Fake Face Website Launched. [online] Available at: 
 [Accessed 31 December 2020].
Booktwo.org. 2020. The New Aesthetic and Its Politics &#124; Booktwo.Org. [online] Available at: 
 [Accessed 31 December 2020].
Buck-Morss, S., 1993. The Dialectics of Seeing: Walter Benjamin and the Arcades 
Project. Comparative Literature, [online] 45(1), p.90. Available at: 
 [Accessed 31 December 2020].
Burnham, J., 1969. a real-time system. Artform New York, p.p49.
Certeau, M. and Rendall, S., 2011. The Practice of Everyday Life. Berkeley, Calif.: University of 
California Press.
Cheng, I., Constable, J., Lewin, R. and So, V., n.d. Emissaries Guide to Worlding.
Contreras-Koterbay, S. and Mirocha, The New Aesthetic and Art.
Cramer, F., 2014. What Is a Post-Digital? A Peer-Reviewed Journal About, [online] 3(1), pp.10-24. 
Available at: [Accessed 31 December 2020].
de Man, P., 2012. Film Comment Vol. 48, No. 5, p12-13.
Deleuze, G., 1989. TIME and WALTER BENJAMIN. Cinema II: L'image-temps,.
Deleuze, G., Guattari, F. and Massumi, B., n.d. A Thousand Plateaus.
Dieter, M. and Berry, D., 2015. Postdigital Aesthetics. Basingstoke: Palgrave Macmillan.
Foucault Michel, 1981. Ethics. New York: Palgrave Macmillan.
Guyer, P., 2005. Values Of Beauty. Cambridge, UK: Cambridge University Press.
Haynes, D., 2008. Bakhtin And The Visual Arts. Cambridge: Cambridge University Press.
00 A Programmer, A Smoking Mirror, and The City 25
Heikkila, M, 2008. At The Limits Of Presentation. Frankfurt am Main: Peter Lang.
Jing Daily. 2020. Why Is Post-COVID China Embracing A Cyberpunk Aesthetic? &#124; Jing Daily. [online] 
Available at: [Accessed 31 
December 2020].
Julian, K., 2018. Why Are Young People Having So Little Sex. The Atlantic,.
Jung, C., 2015. Synchronicity. [Place of publication not identified]: Routledge.
Krishnamurti, J., 1964. Think On These Things. New York: Harper &#38;amp; Row.
Landers, C., 2008. Serious Business: Anonymous Takes On Scientology (and Doesn't Afraid of 
Anything). Baltimore City Paper, [online] Available at: 
[Accessed 31 December 2020].
McHale, J., 1972. Future Of The Future. Amsterdam: North-Holland Pub. Co.
Mitchell, D., n.d. CLOUD ATLAS.
Nagel, T., 1974. What Is It Like to Be a Bat?. The Philosophical Review, [online] 83(4), p.435. 
Available at: [Accessed 31 December 2020].
Nancy, J. and Sparks, S., 2003. A Finite Thinking. Stanford, Calif.: Stanford University Press.
Oltsik, J., 2013. Edward Snowden Beyond Data Security. Network World. Retrieved, [online] 
Available at: [Accessed 31 December 2020].
Rosa-menkman.blogspot.com. 2021. S̈́̎
͐
ͮ
̃̅ͧ
ͯ
ͣ
ͬ̀҉̛͉͘͜
̬
̜
̩
͚̗
͎
̱
̰͎
̺
̰͙
͙
̻
̥
u̓ͩ
ͨ̽
̊
̂
̴̸̥͢
̤
̯
̮
̘
n̒
ͮ
shine In My Throat ░░░░░░░░░. [online] Available 
at: [Accessed 5 January 
2021].
Sondervan, J., 2012. NECSUS &#124; Investigatory Art: Real-Time Systems And Network Culture. [online] 
Necsus-ejms.org. Available at: [Accessed 31 December 2020].
Sterling, B., 2021. An Essay on The New Aesthetic. [online] Wired. Available at: 
 [Accessed 3 January 2021].
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[Accessed 31 December 2020].
Thispersondoesnotexist.com. 2020. This Person Does Not Exist. [online] Available at: 
 [Accessed 31 December 2020].
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von Foerster, H., 2003. On Constructing a Reality. Kybernetes, [online] 32(4). Available at: 
 [Accessed 31 December 2020].
Zielinski, S. and Custance, G., n.d. [... After The Media].
Zielinski, S., 2009. Deep Time Of The Media. Cambridge, Mass: MIT Pr












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	</item>
		
		
	<item>
		<title>The Overture of prototype series</title>
				
		<link>https://00zhang.com/The-Overture-of-prototype-series</link>

		<pubDate>Wed, 28 Jun 2023 01:12:08 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/The-Overture-of-prototype-series</guid>

		<description>
	

The Overture of prototype series

&#38;nbsp;















The
Prototype series is a world-building practice that consists of a sequencing of
works that I have been building in past few years. World building is an
evolutive notion of what an experience and concept can be, it grows and changes
into an altered and expanded version through feedback and research. The whole
immersive experience consists of variety art forms across sculpture,
installation and the interactive gaming work. With this practice, I am building
an imaginary world that occupies the real space and engage viewers to transit
between reality and the virtual world. &#38;nbsp; 







&#38;nbsp; 







Interactive
immersive environment can be a new form of engagement that reach the massive
audience of this borderless global industry. Aesthetics of games as part of
artistic practice integrate, modify, and subvert the visual language of video
games to address issues of our Identity and cultural migration with virtual and
actual world. The Prototype series is focusing on the aspects of contemporary
generation who have multicultural background– a experience of living from
dystopian east London to into a futuristic otherworld.&#38;nbsp; 







&#38;nbsp; 







The
players portray a band of brave travelers constantly lured to new and uncharted
territory to overcome the crippling sorrow of estrangement; They are always
pushed by a great curiosity and experiencing the unhealable rift forced between
a human being and a native place, between the self and its true home. I have
also brought the idea of "exile" from Edward Siad
to light a critique of the ramifications of exile juxtaposed against the notion
of belonging, showing that a thought process beyond the immediate imagination
shapes the exile's intellectual expression. There is a constant awareness
between the physical exile and the metaphor arising out of the imposition which
allows the exiled intellectual to question with freedom. The interactive nature
gaming allows for explore the duality existing in both sides – one in the
digital realm with chosen community, and another in the physical world, which
can feel somewhat foreign. &#38;nbsp; 







&#38;nbsp; 







Allegorized
the reality of contemporary life, that the identity and cultural migration is
not only attached to borders, cultural identities, gender and religion but also
the rise of technology, the hegemony of big data and envisions a future in
which machines, non-human entities, and digital landscapes coexist. 














&#60;img width="1350" height="1080" width_o="1350" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c025d7b9b86c3d9dfbd06efd7fa7b4653d24559aa7dbee9980d0378822af006d/3.png" data-mid="183503001" border="0"  src="https://freight.cargo.site/w/1000/i/c025d7b9b86c3d9dfbd06efd7fa7b4653d24559aa7dbee9980d0378822af006d/3.png" /&#62;
&#60;img width="1350" height="1080" width_o="1350" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f1abeace45fb39c6d2c14403a627c999c45e3cdf45ee40c8edaadc70cc3dce1d/4.png" data-mid="183503002" border="0"  src="https://freight.cargo.site/w/1000/i/f1abeace45fb39c6d2c14403a627c999c45e3cdf45ee40c8edaadc70cc3dce1d/4.png" /&#62;
&#60;img width="1350" height="1080" width_o="1350" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a864236454498e76d25c41b49bc790e2c41e381962b4e3a7633117e1e838d668/2.png" data-mid="183503000" border="0"  src="https://freight.cargo.site/w/1000/i/a864236454498e76d25c41b49bc790e2c41e381962b4e3a7633117e1e838d668/2.png" /&#62;


	&#60;img width="1350" height="1080" width_o="1350" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f62e444096531a7b87eb67aca1b29e343050b090a9b810462d03cbea998b956f/1.png" data-mid="183502999" border="0"  src="https://freight.cargo.site/w/1000/i/f62e444096531a7b87eb67aca1b29e343050b090a9b810462d03cbea998b956f/1.png" /&#62;

</description>
		
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		<title>Post 2020 Experiment</title>
				
		<link>https://00zhang.com/Post-2020-Experiment</link>

		<pubDate>Sun, 09 Jan 2022 00:36:49 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Post-2020-Experiment</guid>

		<description>
	Post 2020 Experiment



Interactive Digital Ink, Film and Game


concept film:

Here



Shows:


2021 Now-Showing Before Rejuvenation at Shanghai Coutts Art Center, SHANGHAI





2021 Post 2020 Experiment at arebyte Gallery, Arebyte online platform AOS




2022 Escape before the Heat Death of the Universe: the Digital “Peach Blossom Paradise” and Virtual Hedonism, Thetis S.p.A. Castello﻿, VENICE




2022 

30th Sep- 2nd Oct

The Production of Post-Truth,&#38;nbsp;Ugly Duck, Bermondsey, LONDON




	&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/86d620d8b9801c39fe1f1d029d237a589897a44c0377fa93d884ed0590374524/2.jpg" data-mid="159378192" border="0"  src="https://freight.cargo.site/w/1000/i/86d620d8b9801c39fe1f1d029d237a589897a44c0377fa93d884ed0590374524/2.jpg" /&#62;

Post-2020 Experiment is an interpretation of the entanglement, digital ink wash painting that bound the real-world and the reverse side. I was thinking of these things and about 
how all things are related, from disorder to order.
The floating entity resembles the butterfly effect, connecting to the motion: the process of the ink diffusing into water. Sh ades of black conveying the perceived complex 
weaving between image, and tacit affection of memory over the spatiotemporal boundaries. Entropy predicts the direction of sp ontaneous processes, we are enslaved by this 
peculiar intermediatory, and face the same inevitable. Yet, within the unknown and chaos, orders will be restored, life will begin to flourish again.




&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/6035ac041442049e31032398a87f07b111e8af3523cf9fb9cf7c40ded2e7c674/3.jpg" data-mid="159378193" border="0"  src="https://freight.cargo.site/w/1000/i/6035ac041442049e31032398a87f07b111e8af3523cf9fb9cf7c40ded2e7c674/3.jpg" /&#62;&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/8ac86095cfd8d3f3f5c3e1cdba79ee2494207d37c51c5a392a1a7d25747c92e6/4.jpg" data-mid="159378196" border="0"  src="https://freight.cargo.site/w/1000/i/8ac86095cfd8d3f3f5c3e1cdba79ee2494207d37c51c5a392a1a7d25747c92e6/4.jpg" /&#62;&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/27b70c4236ba5594ea832b4926e077bbd34cf3067f245d9fbe4ae8dd10a63f92/6.jpg" data-mid="159378216" border="0"  src="https://freight.cargo.site/w/1000/i/27b70c4236ba5594ea832b4926e077bbd34cf3067f245d9fbe4ae8dd10a63f92/6.jpg" /&#62;&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/e171c4cab648c9020c8be57d03f7127d8c3fb4bd1936a6d63c6cf2d0c225b811/7with-audience.jpg" data-mid="159378221" border="0"  src="https://freight.cargo.site/w/1000/i/e171c4cab648c9020c8be57d03f7127d8c3fb4bd1936a6d63c6cf2d0c225b811/7with-audience.jpg" /&#62;&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/050ddb3e8d7fe3395dad18cc46e4fe75af609d716bf602a9b8ff4d3e75018def/5.jpg" data-mid="159378212" border="0"  src="https://freight.cargo.site/w/1000/i/050ddb3e8d7fe3395dad18cc46e4fe75af609d716bf602a9b8ff4d3e75018def/5.jpg" /&#62;&#60;img width="1380" height="920" width_o="1380" height_o="920" data-src="https://freight.cargo.site/t/original/i/061b6695bc871b363ea5064075bd65320e20c3c6b666d73c2f548948494fe720/1.jpg" data-mid="159378230" border="0"  src="https://freight.cargo.site/w/1000/i/061b6695bc871b363ea5064075bd65320e20c3c6b666d73c2f548948494fe720/1.jpg" /&#62;

Post2020 experiment (Async)for PC:Download link：
https://pan.baidu.com/s/1uiOT1jT3vTts0H9XW3Lryg 
Pass word：UPON REQUEST
Concept film：https://youtu.be/5G_4z0_4THM

Post 2020 experiment (Async) explained: https://youtu.be/0XK1qOtf6Ac


</description>
		
	</item>
		
		
	<item>
		<title>Prototype0037 RAID 0</title>
				
		<link>https://00zhang.com/Prototype0037-RAID-0</link>

		<pubDate>Sat, 11 Jan 2025 17:39:01 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Prototype0037-RAID-0</guid>

		<description>
	


















Prototype0037 RAID 0






&#38;nbsp;
00 Zhang





2024
 Silver plated resin, SLA, 304 stainless steel, 316 stainless steel
104 x 70 x 77 cm
















 





&#60;img width="4456" height="5941" width_o="4456" height_o="5941" data-src="https://freight.cargo.site/t/original/i/572921de6946c458996303cad49e25a13858a8fd76e52584122a849917ef96cb/12-276356.jpg" data-mid="224574138" border="0"  src="https://freight.cargo.site/w/1000/i/572921de6946c458996303cad49e25a13858a8fd76e52584122a849917ef96cb/12-276356.jpg" /&#62;

	&#38;nbsp;



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	<item>
		<title>Prototype0037 DISK 2024.1.1</title>
				
		<link>https://00zhang.com/Prototype0037-DISK-2024-1-1</link>

		<pubDate>Sat, 11 Jan 2025 17:47:53 +0000</pubDate>

		<dc:creator>aio0o0o0</dc:creator>

		<guid isPermaLink="true">https://00zhang.com/Prototype0037-DISK-2024-1-1</guid>

		<description>
	


















Prototype0037 DISK 2024.1.1






&#38;nbsp;
00 Zhang







304 stainless steel, 316 stainless steel, Thermosetting polymer, Perspex, and integrated light 
systems in aluminium enclosure




35 x 16 x 8.5 cm


















 





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	&#38;nbsp;


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